Tuesday, November 22, 2011
I Don't Know What to Blog About (But this weekend was chock full of photography)
This is a frequent problem, really. I want to write, want to bash the keyboard in true neanderthal fashion spouting fancy lyrical verse about the wonderment of events before they become stale and cumbersome installments of my fragmented memory. And naturally, that is exactly what happens every time. But damnit, it's hard to go from one intense experience to the other, from the zen of a photographic high to the frustrating grunt work of post-processing and then somehow segue into vivid recollection and retelling. By the time I can recoup, sit down with intent to post, it's already 2 days later and the weekend is a smeared finger painting. It could also be because I usually only ever take the time to sit down and write while sitting at work, which presents its own issues entirely. But hey, you're not going to tell on me, right?
Friday, Saturday and Sunday were three amazingly charged days chock full of the kind of out-in-the-sun activity I needed to recover from a week-and-a-half of getting maybe 30 total minutes of vitamin D exposure per day. Winter is a cursed season, the sun all too willing to drop under the horizon before standard business hours are even over. Should the daylight savings tradition ever be abolished, I will celebrate with brash public drunkenness and a camera in hand. In the mean time, I will simply have to take advantage of the weekends, and the aforementioned 3 day spread were very much taken advantage of.
My shift on Friday was short, as it is most Fridays. Despite a steady, week-long period of rain preceding the weekend, Friday saw the sun punching through an all but clear sky, a kind of temptation I was in absolutely no way going to pass up. The muse was rusty, though, and marked by the creative low period prior, so to ensure I exercised my eye I managed to entice a new friend (and photogenic to boot) into an afternoon romp through a low key locale followed by coffee at Starbucks (the latter sealing the deal... works every time).
Needless to say it was a good time. The feeling was akin to what athletes must feel when first returning to a punishing routine after a period out-of-commission. Inspiration was scattered, no single arrangement of lines, no poignant sources of light leaving strong impact. I resorted to snap shooting, damn near pressing the shutter button for no sake other than that of the pressing. To hear the sound, the slap of the mechanism. The images themselves meant nothing. I was building up, doing jumping jacks, stretching, exciting the heart rate in preparation for a sprint. A slumbering beast, the muse stood and shook itself of dust and grime. It's appetite awakened, its vision attaining pointed focus. It stirred, restless and hungry, and sank its venomous teeth into my lethargy. It demanded satisfaction, and the rise of creative excitement was more than willing to oblige.
After so much time spent stagnant and miserably resigned to depressive seasonal darkness, the afternoon spent shooting aimlessly was like a revival. Once our time spent exploring the well-trodden dank regions of the valley lost its luster, we spent even more time casually conversing (and yours truly snapping) at Starbucks. Simply put, it was a nice day, the kind of nice day one wishes every day would turn out to be but unfortunately so rarely ever does. It reset my disposition from disquieted and cynical to chipper and floaty. A weight dissolved in my brain and again my dreamy nature was permitted to coax my perspective into benign, curious childhood naivety. Which happened not a moment too soon, I might add, seeing as the following morning I was expected to participate with a local troupe of photographers on a photo walk through a territory of subject matter that never seems to stop calling out to me for attention.
Many times in the past I've used the XZ-1 as a snaps camera, rarely if ever using it in calculated, intent driven image recording. The E-P3 has simply been too tempting, a veritable bar in the way of my realizing the capabilities of the tiny pocket rocket. Now that it has seen its test, I am far more inclined to approach a location with only Olympus' bastion compact. True, it may be in no way suited for the high demands of bokeh in subject isolation shooting, but it may very well be my new go-to tool for all things wide. Complain about the 10 megapixel resolution all you want, I've managed terrific prints with far less not so many years back.
Saturday night, I dreamed of rot and decay. All things beautiful.
Having spent the entire previous day doting on the XZ-1, I felt I needed to counteract the neglect of the E-P3 by bringing it as my only camera (odd how I assign very human emotions to simple tools). A vast majority of my shooting was handled by the 45mm f/1.8, and in an act of the most incredible laziness, I disregarded the tripod entirely while exploring this new locale. Not that it much mattered - with the 45mm my intent and my approach suffered an enormous shift. No longer was I accommodating an entire room and wide dynamic range in my images. With 90mm being my point of view, there was only one proper way to utilize the presented perspective. Subject isolation.
I've yet to sort through most images from this weekend. For three days, I was more productive than I'd been in over a week, and the activity has built up a reserve. For at least one more week of rainy weather, I can be satisfied.
Unless the sun comes out before this weekend, anyway.